Was it due to Fiona’s worry of letting other people down? Was it due to the pressure of another pregnancy? Or an adverse reaction to medication? Did Fiona have secrets that were never told? There can never be one for this particular form of suicide. The avoidance of dramatic climaxes also reinforces the sense of an unfulfilled yearning to get closure.
It doesn’t resort to histrionics or overplay emotional cues.
There are only the questions crying in the air.īy never reaching a conclusive answer Kelly Walker’s movie achieves a sweet realism despite its potential soapiness. Are they acting out of love or loss? Are they betraying the person they have lost or trying to hold on to them? It becomes apparent that there is no single answer to this, just as there is no answer to why Fiona killed herself. Inevitably everyone questions their own motives. Jane and Gemma see little pieces of the Fiona they miss in each other and eventually moments of mutual comfort turn into acts of shared love. His other mother Gemma ( Corbin Reid) throws herself into her work, refusing to let her colleagues and competitors see a hint of weakness in her performance. Bailey ( Elohim Nycalove ) is escaping into his own imaginary world and Jane tries to connect to him through play. Jane ( Jeanette Maus) holds on to the memory of her friend by becoming the babysitter of Fiona’s son Bailey.
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